Employees

ad. dr

Inés Ruiz Artola

European PhD in History of Art (Universidad de Málaga), Master's Degree in History and Music Sciences (Universidad de Granada), Master's Degree in Piano (Real Conservatorio Superior, Granada) and Master's Degree in Cultural Management (Universitat Oberta de Catalunya, Barcelona).

ad. dr

Inés Ruiz Artola

history of art

European PhD in History of Art (Universidad de Málaga), Master's Degree in History and Music Sciences (Universidad de Granada), Master's Degree in Piano (Real Conservatorio Superior, Granada) and Master's Degree in Cultural Management (Universitat Oberta de Catalunya, Barcelona).

Assistant professor at the Department of Music Theory, Fryderyk Chopin University of Music in Warsaw, lecturer at the Institute of Art History, University of Warsaw, and Pontificia Universidad Católica de Chile. Also a curator, author of many exhibitions in Poland, Europe, Central and South America.

Awarded the prize for the best doctoral thesis by the Polish Embassy in Spain (Madrid, 2017). From 2019, preparing a habilitation thesis at the Fryderyk Chopin University of Music on the Polish harpsichordist Wanda Landowska. Currently preparing the publication of the book La Landowska: a chronicle through Spain (1905-1936) by Chopin University Press. Recipient of a grant from the Ministry of Culture in Poland for 2022 in the field of Music to write the first biography of Wanda Landowska.

Author of the books: A contrapelo: 1960-1989 (Metales Pesados, Chile, 2017) and Formisci, la sintesis de la modernidad (Libargo, Granada, 2015). She has written numerous papers on contemporary art and music. As a translator, she has worked on editing catalogues for exhibitions, including Tadeusz Peiper. (National Museum in Warsaw, 2015), Andrzej Wróblewski (Reina Sofía Museum, Madrid, 2016). Selected curatorial projects: Chillida. Sounds (Wrocław, Poland, 2016), Lejanías (Valencia, Spain, 2018), Ceci n'est pas un bâtiment (Łódź, Poland, 2017), 6.7GB (Toruń, Poland, 2018), 13. 603 (Lima,  Peru, 2019), Seeing Sounds, Feeling Freedom (Warsaw, Poland, 2019), I travel then I am (Lublin, Poland, 2019), Our Own Room (2020-21), Magnetic traces (Santiago de Chile, 2021), TRANS 11603 (Warsaw, Poland, 2021). As a critic she has collaborated with: a*DESK (Barcelona), Ritmo (Madrid), Glissando (Warsaw), Exit (Madrid), Szum (Warsaw) and others.

Since 2004, she lives and works in Warsaw.

Publications

Books

Formiści, la síntesis de la modernidad. Libargo, Granada, 2015. ISBN: 978-84-938812-7-6

Eduardo Chillida. Brzmienie. Museo Chillida-Leku/BWA Awangarda, Wroclaw, 2016. ISBN: 978-83-942409-6-7

A contrapelo. Textos de arte no oficial en Polonia (1960-1989). Metales Pesados, Santiago de Chile, 2017. ISBN: 978-956-9843-48-8

Articles

„Sobre distancias subjetivas y algunas reflexiones desde la lejanía”, Lart mou molt a pensar, Centre d’Art Contemporani El Carme, Walencja, 2020.

„Bachantka: Wanda Landowska i interpretacja J.S. Bacha. Teorie, mity i polemiki”, Wariacje Bachowskie, cz. 2, R. 33, t. 59, 2020.

„Utwór skomponowany bez ograniczeń twórczych – Wanda Landowska i Koncert na Klawesyn i pięć instrumentów Manuela de Falli (1923)”, Notes Muzyczny, Łodź, czerwiec 2021.

„Wanda Landowska: mentor i mamusia”, II Ogólnopolska konferencja Motyw Kobiety. Fundacja Tygiel, Lublin, 2021.

„Ślad Goyi w sztuce współczesnej”, Studia Librettologiczne i Operologiczne, tom 2. Uniwersytet Muzyczne Fryderyka Chopina, Warszawa, 2021.

„La escenografía de El Retablo de Maese Pedro de Falla en sus primeras representaciones (1923-1925)”, Ars Bilduma, Universidad del País Vasco, 2022.